12 Works exhibited on Kooness
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Flavia Martini reviews the relationships between abstraction, ornamental improvisations and floral botanic iconography with a marked lyric vocation and a sensitivity focused on constant dynamism. In their decorated, vibrant compositions, the color, the motif, and the general architecture of the painting are combined in tight precision without losing the poetic quality of the volatile and the subtle tremor of sensuality. Turned at times to an almost baroque overlapping, in others retired to a synthesis of brief gestures, strokes and brushstrokes, Martini proposes to the viewer the joyful uncertainty between artifice and nature.