Home Artists Manuela Karin Knaut

Kooness

Manuela Karin Knaut

1970
Germany

25 Works exhibited on Kooness

Represented by

Works by Manuela Karin Knaut

Revisiting memories

2022

215 x 140 x 0.25cm

7800,00 €

Zest for Life A

2022

120 x 180 x 4cm

SOLD

Stay True to Yourself

2022

180 x 140 x 4cm

6255,33 €

Right from the Source

2021

125 x 125 x 4cm

5004,26 €

Never too late for New York

2020

120 x 120 x 4cm

3840,00 €

New Day, New Plans

2019

100 x 120 x 2cm

3520,00 €

African Tales (En route to Accra)

2018

120 x 150 x 4.5cm

4320,00 €

Taming Tigers

2021

140 x 230 x 4cm

5600,00 €

Oysters and Crows

2022

200 x 140 x 4cm

7200,00 €

Get over it

2022

200 x 150 x 4cm

6937,73 €

Sherbet powder

2022

100 x 140 x 4cm

5061,13 €

Serenity 1&2

2022

120 x 200 x 4cm

9269,26 €

No goodbyes

2022

230 x 145 x 4cm

7278,93 €

Soft Punk 3

2021

120 x 150cm

4400,00 €

Floral encounters, suddenly

2021

130 x 158 x 4cm

4600,00 €

Well worth the hype (Abstract painting

2021

165 x 165 x 4cm

6000,00 €

Well worth the hype

2021

165 x 165cm

6154,07 €

Still Not Really Into Flowers

2020

100 x 120 x 2cm

3000,00 €

Above Us Only Sky

2020

120 x 180 x 4cm

5000,00 €

Unexpected Scandals

2020

155 x 155 x 2cm

SOLD

Even If It Doesn’t Look Like It

2020

120 x 150 x 4cm

4400,00 €

Real Reasons for Ice and Lemon

2020

200 x 160 x 2cm

6000,00 €

Delicate Interventions

2019

120 x 150cm

4400,00 €

Dashing Into The Day 1

2020

72 x 102cm

SOLD

The layered, painterly works of Braunschweig, Germany-based abstract painter Manuela Karin Knaut hover between the derelict and the precious. 
Their uncertain stillness—a frozen snapshot of tenuous balance in a chaotic world—evokes something both ancient and fleeting: a celebration of unexpected relationships between textures, gestures, colours and lines. Knaut builds her compositions slowly over time, adding layers of colours and materials then scraping them away, working them over and over. Gestural markings intermingle with bits of images taken from life, which are then rubbed away, transformed, abstracted and layered again. Traditional paints are mixed with everyday materials like glue, fabric, scraps of photos, and bits of discarded paper, lending her paintings to some physical and visual qualities as the modern environments that inspire her. The work is only considered finished when “the story of the painting has been told,” a moment of quiet balance that comes along unexpectedly at times. Knaut then removes the painting from the chaos of the studio and hangs it on a wall for one last moment of contemplation before it is finally signed. The intuitive, layered approach that Knaut brings to her paintings echoes her own desire to break out of her comfort zone, mentally and physically. Her search for a polyrhythmic visual language, in which a multitude of colours, textures and materials intermingle, is informed by her extensive world travels. She is as inspired by the stories of the people she meets as she is by what she calls the “charming inperfections” of the places she visits: the dilapidated surfaces of urban walls; or the colourful abundance and chaotic energy of street life. Just as she seeks out confrontations with the untamed aspects of her existence outside of the studio, Knaut strives to bring that same sense of adventure and uncertainty into each of her paintings. The tension that arises between that duality, between what is chosen, and what is unexpected, is at the heart of the work.