Home Artists Cristina Ghetti

Kooness

Cristina Ghetti

1969
Argentina

16 Works exhibited on Kooness

Represented by

Works by Cristina Ghetti

Gradient #1

2023

, Mixed Media , Acrylic

50 x 50 x 0.1cm

3748,00 €

Morocco Series 4

2022

Drawings , Mixed Media

50 x 36 x 0.1cm

1464,00 €

Morocco Series 1

2022

Drawings , Mixed Media

70 x 50 x 0.1cm

1874,00 €

Pinky

2018

Paintings , Mixed Media , Wood , Acrylic

30 x 60cm

2900,00 €

One black

2018

Paintings , Mixed Media , Wood , Acrylic

30 x 60cm

2900,00 €

One

2018

Paintings , Mixed Media , Wood , Acrylic

30 x 60cm

2900,00 €

Color thinking

2020

Paintings , Mixed Media , Acrylic

70 x 70cm

5250,00 €

Folded Pattern

2019

Paintings , Acrylic

60 x 60cm

3400,00 €

Folded II

2020

Paintings , Acrylic

40 x 40cm

2600,00 €

S/T

2020

Paintings , Acrylic

30 x 30cm

1700,00 €

Cristina Ghetti is an abstract painter whose work mobilizes the visual languages of Op Art, Geometric Abstraction, and Kinetic Art to explore the intersection of perception and reality. 
Born in Argentina, she lives and works in Valencia, Spain.

Ghetti earned her Master of Visual Arts and Multimedia at the Polytechnic University in Valencia, Spain, where she developed a strong interest in working with experts in adjacent fields, such as infomaticians and mathematicians. Her research into the development of new geometries in the visual arts culminated in her doctoral thesis, titled “Post Medial Geometry.”

Ghetti is interested in cross-disciplinary methods and tools. She originates her compositions on the computer, utilizing digital tools to develop images that trick the mind into perceiving things like movement and depth on a two-dimensional, static plane. She then translates her compositions into traditional paintings using acrylic paint on canvas. What is most interesting to her about this process is the perceptual and experiential relationships it uncovers. Digital media allows her to immerse herself within a virtual environment, while the work of translating that virtual image into a material image-object using paint and canvas raises questions about where the line can be drawn between reality and perception.

In the tradition of art historical movements like Concrete Art, Constructivism, Kinetic Art and Op Art, Ghetti searches for ways to encourage viewers to participate actively with her art.
Inspired by phenomena such as Synesthesia, in which a person perceives one sense with the tools of another sense, like hearing colour or seeing smell, she creates moments in her paintings where the mind is unsure about what kind of sensation it is experiencing. The linear, concentric patters she employs create what are known as formal redundancies, which are key in creating the illusion of movement. Like artists such as Victor Vasarely, Bridget Riley, or Jesús Rafael Soto, Ghetti is most curious about what types of experiences people can have with a work of participatory art that challenges their fundamental assumptions. At the heart of this work is an interest in perception.

 

 

Solo Exhibitions

2019
"Op-Jectes". Espai Salmaia. Solo Show in Altea, Spain
Solo show at  100 kubik Gallery, Köln “Kedankenlinien” 

2018
Galleria lo spazio, Brescia, solo show Cristina Ghetti, Infinito canone

2017
Color enlightment, Solo show at Luz Botero fine arts Gallery, Panamá City. Panama

2016
Solo show, Stripe-generators, Punto Gallery, Valencia, Spain

2015
SOLO SHOW  at Gallerie Hebert, Paris  26-09 / 26-10
RECENT WORK, SOLO SHOW Galeria 100 kubik, Köln, Germany

2014
Colour thinking compositions, Solo show at Galleria GUM, Miami, USA
Cristina Ghetti Paintings, Solo show at Imaginart Gallery, Barcelona, Spain

2012
GC Arte Gallery solo show, Buenos Aires, Argentina