In his work, which takes the form of narrative systems based on series or sets, Pedro Luis Cembranos tackles the strategies that encode the individual in their social setting and how such strategies shape one's everyday privacy. He ironically questions the social structures that form an individual, setting down norms and behaviours established by society and by the collective. With graphic backgrounds of cuttings -original material or from mass communication media- his work alludes to concepts such as memory and time, displaying a wounding apocalypse culture tending towards the marginal and the anecdotic. His project Civil Instruction Museum is a manipulation, in the form of editions, of a collection of graphic and printed material, illustrating the modes of behaviour that governments and regimes have promoted amongst the general population in times of war or economic crisis, and that affect their daily customs and habits.