Untitled Sep 14

Guillaume Moschini is a French abstract artist mentored by the internationally recognized Supports/Surfaces artists Claude Viallat, Patrick Saytour, and Vincent Bioules.
 
Much like Helen Frankenthaler, Moschini’s work depends on process: unprimed, raw canvas, a diluted pigment (mixed inks, acrylics, and paint thinners), and the unconscious phenomenon that occurs through the process of art making.
In his organized studio, he constructs compositions of color, transparent tints, overlays and shapes.
Liquid pigments melt into the raw canvas with precarious intention.
Meditation on the proper tools, balance of color, form and the flow of material is his strategy.
Moschini’s palette is reinvented per series, sometimes vibrant and sometimes muted.
 
Conceptually, Moschini’s work echoes Kenneth Noland’s minimalism without the restraint of flatness. His transparency variations within the color field and transparent overlays reinvent a contemporary and unique approach. Moschini reflects on a time in the history of painting that questioned its definition.