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Fake People Everywhere

2020

Single piece Signed Titled

1

Default

42 x 29.7 x 1 cm
17 x 11.69 x 0.39 in

Year

2020

Medium

Paintings

Reference

1f1420f9

Unique artwork by artist Blvckjep, handmade on 300 gsm paper. The work reinterprets Mickey Mouse in creepy style, on a background of wine stands out the face of Mickey Mouse surrounded by other deformed faces purple, his expression is very much at odds with his classic image. In place of the reassuring smile we find an expression of fear visibly shaken by the presence of other faces similar to his bizarre and disturbing. A crown of sharp teeth emphasize the mouths of these "false people" and in the background some drops underline an embarrassing atmosphere. The Mickey Mouse represented is therefore frightened and uncomfortable because he is surrounded by Fake People everywhere as is typical of the Creepop style. The work is signed on the back and is accompanied by authentication. The work is not framed.

 

Giuseppe Pirolo aka Blvckjep is a Neapolitan artist and designer born in 1998. Despite his studies in business administration, he has always had a strong drive towards art :

"I've been drawing since I can remember, I couldn't identify a date, a day when I started".

Young and eclectic, he studied as a self-taught experimenting with various techniques, does not identify with any type of tool, nor material. His favorite subjects are those of Pop culture, we find Mickey Mouse, Goofy, Pluto, but also Homer Simpson or Pac-Man, from here part of his review in key "creepy". Pop icons are deformed into grimaces of pain, the ugly and creepy is staged with a colorful dress, happy, but at the same time full of disturbance. He himself calls his style "Creepop," a disarmingly topical vision of our society.  Even the drafting of color and stroke are not precise in order to emphasize this duality, this mask, which hides the darkness inherent in each of us. The touch is pungent, but ironic, in a precise and immediate reading of the current condition of every human being.

1998 , Italy

Young and eclectic, he studied as a self-taught experimenting with various techniques, does not identify with any type of tool, nor material. His favorite subjects are those of Pop culture, we find Mickey Mouse, Goofy, Pluto, but also Homer Simpson or Pac-Man, from here part of his review in key "creepy". Pop icons are deformed into grimaces of pain, the ugly and creepy is staged with a colorful dress, happy, but at the same time full of disturbance. He himself calls his style "Creepop", a disarmingly topical vision of our society.  Even the drafting of color and stroke are not precise in order to emphasize this duality, this mask, which hides the darkness inherent in each of us. The touch is pungent, but ironic, in a precise and immediate reading of the current condition of every human being.

 


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