Migrant (Bordeaux-Green-Gold)

Bernadette Jiyong Frank is a Korean-born, California-based abstract artist whose artistic practice integrates the concept of "Ma" and invites viewers to dive in into the subtle in-between intervals within endless spaces of diverse meanings.

From 1984 to 1987, Bernadette Jiyong Frank studied at the Otis Art Institute of Parsons School of Design in Los Angeles, CA. In 1988, she also participated in a Continuing Education Program at the Art Center College of Design in Pasadena, CA.

Bernadette Jiyong Frank employs multiple layers of translucent paint in her artwork. Each layer is applied slowly and deliberately, allowing time for the paint to dry before applying the next layer. This process creates depth and richness in the final piece.  Time plays a significant role in Bernadette's artistic process. By adhering to the practice of applying only one layer per day, she emphasizes the importance of patience and reflection. This approach acknowledges the passage of time as an integral part of the creative journey. The act of applying each layer of paint is considered a meditative process for Bernadette. This suggests that she approaches her work with a sense of mindfulness and introspection, channeling her focus into each brushstroke. The meditative quality of her application technique likely contributes to the contemplative nature of her artworks. Bernadette views the application of each layer as an act of creating space within the artwork. As the layers accumulate over time, they contribute to the overall dimensionality of the piece. This technique allows the viewer to engage with the artwork on multiple levels, both visually and conceptually.

By incorporating these elements into her process, Bernadette Jiyong Frank infuses her paintings with a sense of time, patience, and contemplation. This approach not only affects the visual aspects of her works but also adds depth and conceptual meaning to the final compositions.

Bernadette is interested in developing a sensory experience through the physicality and visual expression of her work that allows the viewer to enter into an imagination of intervals in time. There, they will find meaning among the in-between-spaces in this transitory world — the void that exists in time and space as a place of contemplation, rejuvenation and change.

By integrating the concept of "Ma" into her artistic practice, Bernadette Jiyong Frank invites viewers to embrace the significance of silence, emptiness, and the intervals between events. Her work creates a space for contemplation and highlights the meaningful presence that exists within the void.

Exploring the concept of Ma in her work leads to a deeper understanding of the relationship between time, space, and meaning. By acknowledging and emphasizing the intervals, gaps, or voids,  she brings attention to the interconnectedness