Born in Brasschaat, Belgium, in 1977.
« I like to speculate on the concepts of enchantment and neglect. The film "Urbicide" is both utopian and dystopian, a dense space in a state of perpetual construction-destruction. We find this also in the silence, suddenly broken by a displaced noise. Everything is constructed from the camera eye, shooting backwards, the space, the perspectives, the play of mirrors that cut and break up the reflection over 15 meters of train track. This means that freedom is an illusion, that the apparently vast space is landlocked by borders. People first see the beauty, and only then the omnipresent limits» Tinka Pittoors