To Dream, to Collect


Amalgamation, Tryptich

From the series Amalgamation








153 x 51 cm
60.24 x 20 in


10000,00 €

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  • About the work

Acrylic on board, Tryptich.

2018 Alice Zucca, “A Conversation With Gregory Hayes”, Xibt Contemporary Art Magazine. July/August.

2017 Art in Write Out, "Recensioni Arte Contemporanea Roma", Blog post. 1 February.

2017 Design and Style Report, "Weekend", Images of Artwork. Blog post. 7 January.

2017 Sabrina Vedovotto, "Amore Che Vieni Amore Che Vai (Ovvero Della Pittura)", Exibart. 4 January. Web.

2017 Eleonora Scoccia, "Gregory Hayes. I am the sun.", Exibart. 13 February. Web.

2016 Delia Pizzuti, ""I'm the sun": goccia su goccia, l'infinitamente grande e piccolo di Gregory Hayes", ArteMagazine. 27 December. Web.

2016 Carlo Alberto Bucci, "La pittura di Hayes gocce di colore a caccia del sole", La Repubblica. 18 November. Web.

2015 Noémie Jennifer, "The Price to Pay: Artists Weigh in on Getting an MFA." Blog post. The Creators Project. 25 August.

2014 Kyle Fitzpatrick, "Gregory Hayes Paints Detailed Microcosms." Blog post. The Fox is Black. 8 April. Web.

2014 Gauss, Daniel. "Shooting Star by Gregory Hayes at Nancy Margolis Gallery." Review. Blog post. Arte Fuse Magazine. 5 June. Web.

2014 "Gregory Hayes. Shooting Star," Wall Street International. 17 May. Web.

2014 Mattera, Joanne. "Centering." Blog post. Joanne Mattera Art Blog. 24 Apr. Web.

2012 Rocky Mountain College of Art + Design, “Alumni Spotlight,” The Dome, January 25th.

2011 Melissa Bozin, “ArtBridge decorates Brooklyn,” Brooklyn Downtown Star, October 26th.

2011 The Brooklyn Review, Images of Artwork, Issue 28, 43. 

2011 Kyle MacMillan, “Offbeat art approach: ‘Do It,’ and then undo it at Denver exhibit,”Denver Post, May 27th.

2011 Michael Fahlund, “CAA Awards MFA Fellowships to Five Artists,”, February 2nd.

2010 Leanne Goebel,“RULE Gallery Champions Young Artists in 4.0,” Huffington Post, December 5th.

2010 Michael Paglia, “Artbeat: Gregory Hayes: Re-Seeing New Works, at Rule Gallery,” Westword, October 27th.

2010 Kyle MacMillan, “On point,” Denver Post, November 12th.

2010 Ellen Berkovitch, “Review: Contemporary Art & Architecture in Denver,” Adobe Airstream, October 24th.

2010 Anne Johnson, “Brooklyn College MFA Open Studio,” Art Fag City, April 12th.

2009 Nomad Art and World Magazine, Image of artwork, Issue 1, 12.

2007 Mary Chandler, “RULE Show a Display of Veterans, New Artists,” Rocky Mountain News, Jan 19th.

About the Artist

1980 Buffalo, New York, United States

Gregory Hayes’s experimentations with painting explore the expressive potential of color and material. In his “Color Array” series, Hayes meticulously etches fine grids onto his canvases and applies small globules of colorful acrylic paint in each cell. The obsessive quality of this pointillist method is balanced by his inability to fully control his medium. Each drop of paint assumes its own character, many of them failing to conform to the borders of the grid; in some works, the drips are three-dimensional and multi-colored, forming their own miniature paintings. Hayes juxtaposes hues to create patterns, textures, and rhythms that coalesce into unified and holistic compositions. “To me, painting—one of the most conventional of disciplines—is ultimately one of the most experimental, exhilarating, and enduring of all media,” he has said. “My objective is to heighten the viewer’s sensitivity to subtle variations and to reveal that pictorial complexity can be achieved through a restricted vocabulary.”

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More from the Artist

See other works by Gregory Hayes

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1st Amalgamation

30.5 x 35.6 cm

3600,00 €

3rd Amalgamation

30.5 x 35.6 cm

3600,00 €

About the Gallery


Milan, Via Lulli 5

Established in 2014 in London, Ncontemporary runs its program in its gallery in Milan and a series of project spaces in London. It collaborates with galleries, collectors, curators and public entities, with the main objective to support the careers of young emerging artists....

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