To Dream, to Collect
Keki
1973 Bologna, Italy
10 Works exhibited
Current location
Galleria Wikiarte
Represented by
Category
With these words a sort of manifesto of his own art, the artist KEKI, therefore Francesca Fachechi, introduces himself. His works represent his own research and his own language, which since the chosen titles, intend to advance according to a primary narrative, the result of this desire for sublimation through which harmony and beauty dialogue in an essential way. All her works offer representations in which the eternal feminine becomes the sensual protagonist of a mysterious and mystical vision, far from any malicious retro-thought. The paintings are outlined, according to the canons of a mimesis that sinks into reality, in the staging of warm, vibrant atmospheres, veiled with refined sensuality, in which the woman stands out as the absolute protagonist of dramaturgy and composition, in a tension towards a limbic immanence. What the observer examines, he has in front of him, is only a moment that the artist has captured by eternalizing faces and sinuous bodies that inhabit places that are not recognizable but can be written to a tradition that looks to the German avant-gardes and to the oriental tradition. The women of KEKI are the emblem of awareness, of their own strength. From this also emerges that freedom of which the painter mentions which in addition to being pictorial, is also and in particular of ontological value.
AA.VV
With these words a sort of manifesto of his own art, the artist KEKI, therefore Francesca Fachechi, introduces himself. His works represent his own research and his own language, which since the chosen titles, intend to advance according to a primary narrative, the result of this desire for sublimation through which harmony and beauty dialogue in an essential way. All her works offer representations in which the eternal feminine becomes the sensual protagonist of a mysterious and mystical vision, far from any malicious retro-thought. The paintings are outlined, according to the canons of a mimesis that sinks into reality, in the staging of warm, vibrant atmospheres, veiled with refined sensuality, in which the woman stands out as the absolute protagonist of dramaturgy and composition, in a tension towards a limbic immanence. What the observer examines, he has in front of him, is only a moment that the artist has captured by eternalizing faces and sinuous bodies that inhabit places that are not recognizable but can be written to a tradition that looks to the German avant-gardes and to the oriental tradition. The women of KEKI are the emblem of awareness, of their own strength. From this also emerges that freedom of which the painter mentions which in addition to being pictorial, is also and in particular of ontological value.
AA.VV
Works by Keki
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