Home Artists DESIRÉE PATTERSON

Desirée Patterson


Canada

20 Works exhibited on Kooness

Category

Works by DESIRÉE PATTERSON

Anthropocene i

2022

60.96 x 60.96 x 5.08 cm

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Anthropocene ii

2022

60.96 x 60.96 x 5.08 cm

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Anthropocene vi

2022

60.96 x 60.96 x 5.08 cm

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Anthropocene iii

2022

60.96 x 60.96 x 5.08 cm

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Anthropocene v

2022

60.96 x 60.96 x 5.08 cm

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Eveil X

2019

114.3 x 76.2 x 5.08 cm

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Point De Fusion ii

2022

76.2 x 101.6 x 5.08 cm

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Enracine i

2022

76.2 x 121.92 x 5.08 cm

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Eveli III

2020

91.44 x 91.44 x 5.08 cm

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Forest

2020

83.82 x 127 x 5.08 cm

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Eveil i

2021

91.44 x 91.44 x 5.08 cm

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Birch Trees

2021

86.36 x 172.72 x 5.08 cm

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Fauna Bear

2021

101.6 x 152.4 x 5.08 cm

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Point De Fusion iv

2022

76.2 x 121.92 x 5.08 cm

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Anomaly IV *

2022

121.92 x 165.1 x 5.08 cm

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Anomaly ii - Diptych

2020

121.92 x 165.1 x 5.08 cm

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Point De Fusion i

2019

101.6 x 132.08 x 5.08 cm

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Point De Fusion iii

2021

68.58 x 152.4 x 5.08 cm

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Enracine iii

2021

142.24 x 96.52 x 5.08 cm

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Desirée Patterson is a Canadian photographic artist currently living on the unceded territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish) and Səl̓ílwətaʔ/Selilwitulh  (Tsleil-Waututh) nations, in Vancouver, BC. Her career began during a journey throughout nearly forty countries across four continents. As she documented her extensive travels, she repeatedly observed exhausted environments and impoverished situations. These experiences impacted Patterson deeply, they served as a catalyst inspiring the themes and direction of her art practice.

Patterson’s artistic process consists of digital image capture and meticulous post manipulation of form, shape and orientation, turning disparate layers into unified compositions. From creating industrial landscapes that seamlessly interweave with the human form (Éveil, 2018) and composing mountainous landscapes that embody the idea of melting (Point de Fusion, 2018), to merging endangered glaciers with climate temperature data (Anomaly, 2020) and generating macrocosmic planets that depict the precarious impact of humans on nature (Anthropocene, 2019), her work captivates and challenges viewers.