The House of this Evening, all mine #3

Limited edition of 7. Through the depiction of trees whose foliage is formed of dilapidated rooms Barbara Nati rewrites the relationship between the new standard of humankind and its memory. Vestiges accumulate like intricate rooms of lost memories. As circumstances deprive these spaces of their function they act as painful reminders of a loss. The technical skills through which Barbara achieves her result provide a primary role to the editing phase instead of the shooting itself. On the other hand, the picture cannot be properly defined artificial; far from being the result of a digital technique, it is the propaedeutic condition that opens up to the possibility of digital intervention.