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Reference

b1383a4b

Year

2017

Medium

Drawings & Works on Paper , Prints

Size

35 x 50 cm
13.78 x 20 in

Price

550,00 €

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  • About the work

"Surviving" is a unique piece of art by London based Italian artist, illustrator and tattoo artist Otto D'Ambra. Technique: Monotype drypoint etching, mixed media and collage on Fine Art Fabriano paper. The artwork is signed on the right lower corner by the artist.


About the Artist

1978 , Italy

Ottorino D’Ambra was born in Milan, in 1978. He currently lives and works in London. In 2003, he graduated at Accademia di Belle Arti di Brera, in Milan, with a major in scenography. In 2009, he moved to London, where started being interested in engraving. He works with many galleries both in England and Europe, joining different art fairs. Illustrator, printer and tattoo artist amongst the coolest in London, Otto D’Ambra, opened, in 2013, the White Elephant Studio, after many fruitful experiences in many diverse creative fields and a Major in Set Design at Brera Fine Art Academy, in Milan. In May 2016, Burning Giraffe Art Gallery hosted the exhibition "Ecce Animal", a solo show by Otto D’Ambra, a revised and expanded re-edition of a show by the artist held in the month of March in the British capital. Made-up of more than twenty artworks, some of which created especially for the occasion, the exhibition offers the opportunity to get in touch with the technical skills and creative talent of one the most versatile and appreciated emerging artists from the broad London art scene.


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More from the Artist

See other works by Otto D'Ambra

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Half Beauty

43.5 x 63 x 0.3 cm

The Thinker

43.5 x 63 x 0.3 cm

About the Gallery

Address

Turin, Via Eusebio Bava 8/a

Burning Giraffe Art Gallery (BUG) is an exhibition space devoted to the promotion of young talented artists, founded in June 2014, in Turin, Italy BUG was born from the desire of showing – literally – the skills and creativity of a group of young artists of great talent that, for reasons which have nothing to do with their skills and the conceptual stre...

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