To Dream, to Collect







Drawings & Works on Paper


37.5 x 53.5 cm
14.76 x 21 in

Contact for price about Untitled #01

  • About the work

 Felt tip on paper.

About the Artists

1951 , Chile

Óscar Morales Martinez was born into a modest family in 1951 in Copiapó, in northern Chile. His father worked as a driver for the national mining company while his mother raised their six children. Like his brothers, he grew up in the town's dusty streets, nevertheless completing both primary and high school. From an early age, he showed great interest in literature and the arts. 

At the age of 17, Morales served his three-year compulsory military service. When he finished, he began showing the first signs of paranoid schizophrenia. Between 1975 and 1995, he was hospitalized several times in a psychiatric institution before returning to Copiapó. His illness was sufficiently complex for him to be hospitalized there permanently. “It was my last hope of being saved,” he says.

He recalls that while confined to bed, he began to draw “in the sky” of his room. In 1999, Morales developed his famous “alphabetical and numerical valence formula” which he used to create machines and compulsively draw cells, nuclei, atoms and radios, using laptops and drawing on book covers and differently sized sheets of drawing paper. “I wanted to create something noble that would be useful for everyone. This mathematical formula is sophisticated; I invented it to improve and increase computer capacity”, he explains. 

For the past ten years, Morales has been living at a psychatric hospital along six other chronically ill patients, participating in painting, literature, radio and computer workshops.

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More from the Artist

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Untitled #02

37.5 x 53.5 cm


Untitled #03

53.5 x 37.5 cm


Untitled #04

53.5 x 37.5 cm


About the Gallery


Paris, 3-5, Passage des Gravilliers

The christian berst gallery is specialized in art brut. By presenting the contemporary aspect of art brut, the gallery implies that it cannot be confined neither in a period of time nor in a geographical perimeter not even in a formal spectrum. What is at stake here is rather the notion of individual mythology, dear to Harald Szeemann. The gallery - situa...

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