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Fold 32

2020

Size

112 x 138 x 3.5 cm
44.09 x 54 x 1.38 in

Year

2020

Medium

Paintings

Reference

294baa77

Acrylic on dibond.

I’m inspired by architectural constructs, and how simple lines can construct perspectives, helping us to solidify (or question) our ideas about the space we inhabit. Lines recede to a vanishing point, converging and depicting perceived depth where it does not exist physically. I’m not trying to trick the viewer, but ultimately hope to pique interest in our interpretations of what lies in our visual field. Shifts in your viewpoint skew the lines and create alternate interpretations of what’s happening around you, allowing for a phenomenological perspective.

In this recent work, I’ve been exploring small shapes congregating together, creating a larger composition. They each obey their own physical laws, either following a particular vanishing point or being “folded” in a specific fashion. When placed together, these shapes construct a galaxy of forms.
– Katy Ann Gilmore, 2020

, United States

I’m inspired by architectural constructs, and how simple lines can construct perspectives, helping us to solidify (or question) our ideas about the space we inhabit. Lines recede to a vanishing point, converging and depicting perceived depth where it does not exist physically. I’m not trying to trick the viewer, but ultimately hope to pique interest in our interpretations of what lies in our visual field. Shifts in your viewpoint skew the lines and create alternate interpretations of what’s happening around you, allowing for a phenomenological perspective.

In this recent work, I’ve been exploring small shapes congregating together, creating a larger composition. They each obey their own physical laws, either following a particular vanishing point or being “folded” in a specific fashion. When placed together, these shapes construct a galaxy of forms.
– Katy Ann Gilmore, 2020


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Address

Zurich, Mühlebachstrasse 12

The Wenger Gallery specializes in current constructivism trends and in abstract, concrete and conceptual art. Anna Wenger, who founded her gallery in 2012, is fascinated by the power of reduction in achieving the fullest expression through minimal interventions and generating opacity despite clearly set and strictly geometrical gestures. Apart from classi...

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