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915 EUR

UFO, 1967


915,00 €

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Artwork offered by

Expowall, Milan



100 x 70 cm
39.37 x 28 in







  • About the work

SILKSCREEN, ed. 48/50

To acquire a design piece by Hapshash and the Coloured Coat (London, Uk, 1967. Michael English, Nigel Waymouth) means to buy a piece of underground history.

The British duo is so well known thanks to their affective popular psychedelic posters,  two albums of underground music. Michael English and Nigel Waymouth funded their British graphic design label as an avant-garde musical partnership in the late 1960s.

Each week Rossella Farinotti, our curator, selects 6 interesting artworks on Kooness choosing artists from different generations, mediums, countries and approaches to contemporary art, indicating the reasons why it’s worth understanding the artwork.


The UFO Club (pronounced "you-foe") was a famous but short-lived UK Underground club in London during the 1960s. It was established by Joe Boyd and John "Hoppy" Hopkins and featured light shows, poetry readings, well-known rock acts such as Jimi Hendrix, avant-garde art by Yoko Ono, as well as local house bands such as Pink Floyd and Soft Machine.

Hapshash and the Coloured Coat, consisting of Michael English and Nigel Waymouth, designed psychedelic posters to advertise events. Waymouth stated, "We were trying to give a visual concept of what we were experiencing, which was like hallucinations." The food was macrobiotic and included brown rice rissoles, vegetarian stuffed vine leaves and felafel, supplied by Craig Sams, who went on to co-found Whole Earth Foods and Green & Black's.

The UFO Club's success was its downfall – being too small to accommodate the increasing number of visitors. If a big name such as Jeff Beck was playing, UFO broke even, but the club usually lost money. In October 1967 the UFO Club at the Roundhouse folded.

About the Artists

1967 London, United Kingdom

Hapshash and the Coloured Coat was an influential British graphic design and avant-garde musical partnership in the late 1960s, consisting of Michael English and Nigel Waymouth. It produced popular psychedelic posters, and two albums of underground music.

The silkscreen printed posters created by the pair advertised underground "happenings", clubs and concerts in London, and became so popular at the time that they helped launch the commercial sale of posters as art, initially in fashionable stores such as the Indica Bookshop and Carnaby Street boutiques. Their first album of psychedelic music, produced by a collective in early 1967 and including many famous names, is now seen as being influential on the early works of Amon Düül and other pioneers of German Krautrock, as well as inspiring sections of the Rolling Stones' Their Satanic Majesties Request album.

Their posters remain highly sought after. The original artwork for a poster advertising Jimi Hendrix's 1967 concert at the Fillmore Auditorium in San Francisco – depicting the guitarist as a psychedelic Native American chief with a hunting bow in one hand and a peace pipe in the other – was sold in 2008 by Bonhams for $72,000. Between October 2000 and January 2001, the Victoria and Albert Museum, which owns the originals of many of their posters in its permanent collection, mounted a retrospective exhibition of their work titled "Cosmic Visions–Psychedelic Posters from the 1960s".

The posters they designed for the UFO Club and Oz magazine drew on elements of Mucha, Ernst, Magritte, Bosch, Blake, and Dulac, pulling them together in a style that art critic George Melly called "Nouveau Art Nouveau" and Time was beginning to call "Nouveau Frisco". They also designed posters for the Middle Earth club, Pink Floyd (who were the resident band at the UFO), The 5th Dimension, The Move, The Crazy World of Arthur Brown, Soft Machine, and the Incredible String Band.

While other designers at the time opted for "indiscriminate use of rainbows and any clashing colour combination, [Hapshash] strived for maximum colour effect without sacrificing balance or harmony", and frequently used expensive gold and silver metallic inks, which previously were rarely seen on advertising posters. They also introduced a new technique to screen-printing which allowed them to "graduate from one colour to another on a single separation".

Their work has been cited as an inspiration by surrealistic artist Mark Wilkinson, known for his designs for bands such as Marillion, Judas Priest, and Iron Maiden.

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About the Gallery


Milan, Via Curtatone, 4

Established in 2015 and located in the fashionable Milan’s city center, Expowall Gallery is a fine-art gallery focused on the representation of contemporary Italian photographers who mostly worked on landscape and architectural photography. The aim of Expowall, founded by Pamela Campaner and Alberto Meomartini, is to present and promote the Italian contemp...

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