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300 EUR

Untitled 16, 2019

Price

300,00 €

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Artwork offered by

Single piece Signed Dated Titled

Size

20 x 20 x 4 cm
7.87 x 8 x 1.57 in

Reference

b416d65b

Year

2019

Medium

Paintings

Category


  • About the work
  • Bibliography

Acrylic on canvas.

Born in 1978 in Moldova, Doïna Vieru, has always preferred step / step / passionately the image to the word and all this despite crises of bartlébysme. Between "I would prefer not to", pencils, papers, pvc or metal and other sharp instruments, the game remains his eternal favorite.

After studying at the Chisinau Art Academy and ENSBA Paris, she left Europe for Ecuador where she developed her own artistic language between mountains and jungle. Her return to 2019 in Paris is marked by an event-hanging at the Nesle gallery where she will present drawings on the three levels of the gallery.

Her work, which has been exhibited regularly in Ecuador, Mexico, France, Romania and Moldova, still deals with the inexpressible. It’s a kind of hide-and-seek game, to say and shut up. Her production is serial: she paints on herself, on her pregnancies, to the rhythm of Tchaikovsky's Opus 35 or in the melanomaniac search for black.

In the last series of drawings it is a question of hiding and destroying poetry by freely playing on large photographic paper with layers-history - palimpsests - superimposed where unintelligible writing mixes with charcoal, ink, with white acrylics and black stone. It is the rewriting of the disaster, a direct reference to the work of Maurice Blanchot: "When all is said, what remains to be said is the disaster, ruin of speech, failure in writing, rumor that murmurs: this which remains without remainder. "


About the Artists

1978 , Moldova, Republic of

Born in 1978 in Moldova, Doïna Vieru, has always preferred step / step / passionately the image to the word and all this despite crises of bartlébysme. Between "I would prefer not to", pencils, papers, pvc or metal and other sharp instruments, the game remains his eternal favorite.

After studying at the Chisinau Art Academy and ENSBA Paris, she left Europe for Ecuador where she developed her own artistic language between mountains and jungle. Her return to 2019 in Paris is marked by an event-hanging at the Nesle gallery where she will present drawings on the three levels of the gallery.

Her work, which has been exhibited regularly in Ecuador, Mexico, France, Romania and Moldova, still deals with the inexpressible. It’s a kind of hide-and-seek game, to say and shut up. Her production is serial: she paints on herself, on her pregnancies, to the rhythm of Tchaikovsky's Opus 35 or in the melanomaniac search for black.

In the last series of drawings it is a question of hiding and destroying poetry by freely playing on large photographic paper with layers-history - palimpsests - superimposed where unintelligible writing mixes with charcoal, ink, with white acrylics and black stone. It is the rewriting of the disaster, a direct reference to the work of Maurice Blanchot: "When all is said, what remains to be said is the disaster, ruin of speech, failure in writing, rumor that murmurs: this which remains without remainder. "


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About the Gallery

Address

Paris, 12 Rue Vivienne

galerie bruno massa, based in Paris and NYC, was founded in January 2013 and is dedicated to exhibiting the latest works of contemporary art. The gallery is devoted to promoting emerging artists worldwide, especially in China and other Asian countries. galerie bruno massa is one of the pioneers in the massive eMarket for art business by displaying more than ...

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