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400 EUR

Sans Titre

2018

Single piece Signed Dated Titled

1

Size

14.4 x 21.3 x 0.1 cm
5.67 x 8 x 0.04 in

Reference

7e617baa

Year

2018

Medium

Drawings & Works on Paper

Ink & collages on paper

 

 

Born in 1978 in Moldova, Doïna Vieru, has always preferred step / step / passionately the image to the word and all this despite crises of bartlébysme. Between "I would prefer not to", pencils, papers, pvc or metal and other sharp instruments, the game remains his eternal favorite. After studying at the Chisinau Art Academy and ENSBA Paris, she left Europe for Ecuador where she developed her own artistic language between mountains and jungle. Her return to 2019 in Paris is marked by an event-hanging at the Nesle gallery where she will present drawings on the three levels of the gallery. Her work, which has been exhibited regularly in Ecuador, Mexico, France, Romania and Moldova, still deals with the inexpressible. It’s a kind of hide-and-seek game, to say and shut up. Her production is serial: she paints on herself, on her pregnancies, to the rhythm of Tchaikovsky's Opus 35 or in the melanomaniac search for black.

In the last series of drawings it is a question of hiding and destroying poetry by freely playing on large photographic paper with layers-history - palimpsests - superimposed where unintelligible writing mixes with charcoal, ink, with white acrylics and black stone. It is the rewriting of the disaster, a direct reference to the work of Maurice Blanchot: "When all is said, what remains to be said is the disaster, ruin of speech, failure in writing, rumor that murmurs: this which remains without remainder. "

1978 , Moldova, Republic of

Doïna Vieru is an Ecuadorian-Moldavian artist born in 1978 who lives & works in France, Paris.

She always preferred pas/pas/passionately the image to the word and all this despite crises of Bartlébysme. Between "I would prefer not to", pencils, papers, pvc or metal and other sharp instruments, the game remains his eternal favorite. After studying at the Chisinau Art Academy in Moldavia and Ecole Nationale des Beaux-Arts de Paris, France, she left Europe for Ecuador where she developed her own artistic language between mountains and jungle.

Her return to 2019 in Paris is marked by an event-hanging at the Nesle gallery where she presented drawings on the three levels of the gallery. Her work, which has been exhibited regularly in Ecuador, Mexico, France, Romania and Moldova, still deals with the inexpressible. It’s a kind of hide-and-seek game, to say and shut up. Her production is serial: she paints on herself, on her pregnancies, to the rhythm of Tchaikovsky's Opus 35 or in the melanomaniac search for black.

In the last series of drawings it is a question of hiding and destroying poetry by freely playing on large photographic paper with layers-history - palimpsests - superimposed where unintelligible writing mixes with charcoal, ink, with white acrylics and black stone. It is the rewriting of the disaster, a direct reference to the work of Maurice Blanchot: "When all is said, what remains to be said is the disaster, ruin of speech, failure in writing, rumor that murmurs: this which remains without remainder."


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Address

Paris, 12 rue Vivienne

galerie bruno massa based in Paris and NYC was founded in January 2013 and is dedicated to exhibiting the latest works of contemporary art. The gallery is devoted to promoting emerging artists worldwide, especially in Georgia but also in China and others Asian countries. In 2018, galerie bruno massa opened a branch in Seoul, Korea & in July 2019, moved its p...

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Tree Knowledge

2018

25 x 185 cm

713,13 €