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Reference

72fe7180

Year

2009

Medium

Paintings

Size

52 x 52 cm
20.47 x 20 in

Price

3450,00 €

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  • About the work

OIL ON LINEN

The production of small format works mark the departure from Australia for the artist. The School of Paris was the focus of a research residency at La Cite Internationale Des Arts Paris during late 2009 that was the impetus for a new series of small format works. Drawing parallels from both Eugene Leroy and Jean Dubuffet colour palette and sensibility, lush colours are abandoned for natural earth colours.

Working with the same intentions as an alchemist, the artist seeks a transformative experience. As you look at the work there is no reading of linear perspective: your gaze lays flat across the surface.

During his time in Paris the artist pared back the scale of his earlier works, but retained the same sense of vigour and restlessness in the quality surface of the paint.

As quoted by the artist himself during his stay in Paris, “The architectural surfaces of Paris are laden with centuries of graffiti, posters, filth and humanity. The works draw upon these references and the sense of transience, the passing of time, the organic and a sense of the antique.”

This work is delivered framed by the artist (size incl frame: 54,5 x 54,5 cm)

A picture of the work with its frame is available upon request.

Print Media


Bevan, Robert- An Unexpected Perspective-The Australian Financial Review,27th May 2010
Cacka, Maris International Painting Symposium Exhibition Catalogue,Daugavpils Mark Rothko Art Centre,Latvia September 11,2017
Crawford,Ashley- Apocalypse Now As The Sleeper Wakes Catalogue Essay 1 May 2016
Crawford,Ashley- Secret Histories -Pentimento Exhibition,Catalogue Essay Melbourne,16th April,2015
Crawford, Ashley- 5x5 Exhibition London, Catalogue Essay, 27 May,2010
Jeune,Francois- Color Fields, Catalogue Essay, Paris Nov 29tth 2013
Maconachie Robert On Challenging Mud Anthony White’s Crossing The Rubicon Catalogue Essay 1st September 2016
Maconachie Robert Signs of Civilisation Catalogue Essay 5th April 2018
Odowd,Jo “White one of eleven chosen for Symposium Project” The South Coast Register,NSW Australia,9th August 2017


Online Periodicals/Blogs


Bahadur,Tulika Signs of Civilisation On Art and Aesthetics Blog, 29th March 2018
Brennan, Valerie-Contemporary Approaches to Painting Studio Critical blogspot 5th October 2010
Goodro,Tyler Modern Design Art Plastolux Blog Anthony White International Painting Symposium Nov 16 2017
Lytton, Harry, The Art of the Antipodes-The Aburturian Online Magazine, 5x5 at The Menier Gallery May 28, 2010
 

Radio/Television Interview


Cheng,Vennes Interview on The Works Programme RTHK Television,Hong Kong Feb 15 2013
Whelan, Phil Interview on Morning Brew Program RTHK Radio 3 Hong Kong January 13 2013
McCulloch Alex The Arts Show Radio Audio Interview on The Arts Show Jewish Australia Radio 87.8FM
14 April 2015
McCulloch,Alex The Arts Show Radio Interview on The Arts Show Jewish Australia Radio 87.8FM
26 September 2014


About the Artist

1976 Sydney, Australia

Anthony White is an Australian abstract painter who was born in Sydney in 1976. He creates gestural abstract paintings informed by an awareness of surface and physicality. He currently lives and works in Paris, France.


Education

White graduated with a Bachelor of Fine Art degree from the National Art School in Sydney and studied at the New York Studio School Marathon Program in New York City. He completed a residency at the Vermont Studio Centre in 2008 and has completed two Artist in Residences at La Cité Internationale des Arts, Paris, in 2009 and 2010.


Technique

White's practice incorporates multiple disciplines including drawing, painting and collage. His focus balances between the physical act of painting, on elements such as gesture, surface and physicality, and historical and cultural issues relevant to contemporary image making. He explores various methods and techniques, including the Italian Pentimenti method, a process of building up layers and allowing the earlier layers to be visible underneath; decollage, a process opposite of collage, which involves cutting or tearing away materials rather than adding them; and dechirage, a form of partial decollage, which involves distressing layers of paper in order to create a three-dimensional effect on the surface of a work.


Inspiration

White's work is about surface and physicality. The depth and drama of his painted surfaces create dimensional realms that interplay with light and space, allowing interpretation of multiple levels, from the formal to the visceral to the contemplative. He finds inspiration in urban environments, natural landscapes and in found objects. His painterly, gestural style is influenced by the abstract action painters of the 1950's New York School and the Gutai movement from Japan. He also finds inspiration in multi-disciplinary, dimensional abstract works such as Kurt Schwitters' Merzbau project and Robert Rauschenberg's combines.


Collections

White's work is included in numerous private collections as well as in public collections, including the National Portrait Collection at The Tweed River Regional Gallery and Margaret Olley Art Centre in Australia


Exhibitions

White's work has been exhibited internationally, including in solo shows in Paris, Melbourne, Sydney and Hong Kong and in group exhibitions in London, Paris, New York, Sydney, Hong Kong and Leipzig.


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Accoutrement

51 x 51 cm

3450,00 €

Fugitive

52 x 52 cm

3450,00 €

Extradition

52 x 52 cm

3450,00 €

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