Home Artists Pau Escat

Kooness

Pau Escat

1984
Spain

29 Works exhibited on Kooness

Current location

Barcelona

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Works by Pau Escat

Untitled

2022

65 x 85 x 4cm

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Untitled

2021

70 x 70 x 4cm

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Untitled

2021

100 x 130 x 4cm

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Untitled

2022

150 x 120 x 4cm

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Untitled

2022

70 x 70 x 4cm

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Untitled, 223/22

2022

90 x 65 x 4cm

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Untitled

2021

120 x 140 x 4cm

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[Terre I]

2021

110 x 160 x 4cm

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Untitled, 312/22

2022

90 x 65 x 3cm

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Untitled

2022

41 x 41 x 4cm

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Untitled

2022

41 x 41 x 3.5cm

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Untitled

2022

41 x 41 x 4cm

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Gold

2022

20 x 20 x 3cm

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Untitled

2022

81 x 65 x 2cm

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Untitled

2020

100 x 100 x 4cm

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Cornamenta

2020

160 x 25 x 25cm

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Untitled

2020

100 x 100 x 4cm

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Untitled

2022

130 x 160 x 4cm

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Atmosphere

2022

130 x 160 x 4cm

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Untitled

2022

120 x 150 x 4cm

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Untitled

2022

100 x 80 x 3cm

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Untitled

2022

30 x 34 x 1cm

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Untitled

2021

100 x 130 x 4cm

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Untitled

2022

180 x 130 x 4cm

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Untitled

2022

100 x 100 x 4cm

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Untitled

2022

120 x 90 x 4cm

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Untitled

2021

100 x 100 x 4cm

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Untitled

2022

120 x 160 x 4cm

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Untitled

2022

90 x 140 x 4cm

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Pau Escat is a contemporary artist who lives and works in Barcelona. His work investigates color and light in contact with materials, specifically the visual effect that this generates. His interest in observing these processes comes from two fields that have always been in his life: nature and jewelry. At first, one would say that they belong to opposing fields -the natural and the intervened, the wild and the domesticated, the living and the stony- but for the artist, they constitute the basis of the same way of looking and creating.

Nature, especially landscapes and atmospheres, allows him to express both the physical space, where effects such as color and light occur, and the intimate space, where color and light are associated with emotions. In this sense, the artist is interested in the pictorial tradition that, from a particular appreciation of landscape and nature, is a precursor of abstraction. In particular, his work focuses on the Dutch landscape painters of the seventeenth century, from whom he takes the bipartite composition of the painting and the characteristic vibration of the stormy skies.

The impressionists have also been essential in his way of looking at nature, for their pictorial work of atmospheres that already brings them close to abstraction. In the artworks of the artist, a certain state of stillness, contemplation, and silence in front of natural phenomena is essential. His proposal is precisely interested in these moments dedicated to seeing for the pleasure of seeing, without haste or objective to fulfill. Thus, her paintings retain this atmospheric weightlessness, the result of contemplation, which gives a livid character to the set of elements.