Home Artists Manuela Karin Knaut

Kooness

Manuela Karin Knaut

1970
Germany

16 Works exhibited on Kooness

Represented by

Works by Manuela Karin Knaut

Summer Gardens

2023

Paintings , Acrylic

165 x 165 x 4cm

6100,00 €

Cherry Pie II

2023

Paintings , Acrylic

165 x 165 x 4cm

6100,00 €

Cherry Pie I

2023

Paintings , Acrylic

165 x 165 x 4cm

6100,00 €

Right from the Source

2021

Paintings , Acrylic , Ink , Mixed Media

125 x 125 x 4cm

5153,00 €

Get over it

2022

Paintings , Acrylic , Oil

150 x 200 x 4cm

7143,00 €

Soft Punk 3

2021

Paintings , Mixed Media , Acrylic

150 x 120cm

4400,00 €

Well worth the hype

2021

Paintings , Mixed Media

165 x 165cm

6154,07 €

Still Not Really Into Flowers

2020

Paintings , Acrylic

120 x 100 x 2cm

3000,00 €

The layered, painterly works of Braunschweig, Germany-based abstract painter Manuela Karin Knaut hover between the derelict and the precious. 
Their uncertain stillness—a frozen snapshot of tenuous balance in a chaotic world—evokes something both ancient and fleeting: a celebration of unexpected relationships between textures, gestures, colours and lines. Knaut builds her compositions slowly over time, adding layers of colours and materials then scraping them away, working them over and over. Gestural markings intermingle with bits of images taken from life, which are then rubbed away, transformed, abstracted and layered again. Traditional paints are mixed with everyday materials like glue, fabric, scraps of photos, and bits of discarded paper, lending her paintings to some physical and visual qualities as the modern environments that inspire her. The work is only considered finished when “the story of the painting has been told,” a moment of quiet balance that comes along unexpectedly at times. Knaut then removes the painting from the chaos of the studio and hangs it on a wall for one last moment of contemplation before it is finally signed. The intuitive, layered approach that Knaut brings to her paintings echoes her own desire to break out of her comfort zone, mentally and physically. Her search for a polyrhythmic visual language, in which a multitude of colours, textures and materials intermingle, is informed by her extensive world travels. She is as inspired by the stories of the people she meets as she is by what she calls the “charming inperfections” of the places she visits: the dilapidated surfaces of urban walls; or the colourful abundance and chaotic energy of street life. Just as she seeks out confrontations with the untamed aspects of her existence outside of the studio, Knaut strives to bring that same sense of adventure and uncertainty into each of her paintings. The tension that arises between that duality, between what is chosen, and what is unexpected, is at the heart of the work.