Home Artists Efren Isaza

Kooness

Efren Isaza


Bogota, Colombia

12 Works exhibited on Kooness

Current location

435 21st Street. Suite CU-4 The Governor at Artecity Park. Miami Beach, Florida 33139

Represented by

Works by Efren Isaza

Teresa with a black origami skirt

2010

, Acrylic , Ink , Mixed Media

73.66 x 49.53 x 2.54cm

3660,00 €

Seated Ballet

2010

165.1 x 121.92 x 5.08cm

11893,00 €

Colored Frida

2010

86.36 x 135.89 x 2.54cm

8234,00 €

Standing ballet

2010

165.1 x 121.92 x 5.08cm

11893,00 €

Black Rosa

2010

, Acrylic , Ink , Mixed Media

124.46 x 73.66 x 2.54cm

7319,00 €

M with Stocking

2010

167.64 x 139.7 x 5.08cm

13723,00 €

Color Origami Spiral II

2010

109.22 x 73.66 x 5.08cm

5489,00 €

Color Origami Spiral I

2010

109.22 x 73.66 x 5.08cm

5489,00 €

With Yves Coat I

2010

, Acrylic , Ink , Mixed Media

177.8 x 132.08 x 2.54cm

13723,00 €

As an artist Efren works in between photography, painting, drawing, and collage, blurring the boundaries between them, creating a world where the analog and digital coexist in a constant tension. The human body is always present in his artworks, transformed and constructed as a result of mankind´s conflict with their own bodies so he presents the surpass of the natural body in favor of the concept of a built and manipulated beauty. Sometimes those bodies appear transgressed in an explicit and crude manner or as an illusion of perfect or extreme beauty; sometimes they appear as satires to his own or collective imaginary beauty and sometimes as an attempt to exhaust the production of images that have already been produced. Even in his fashion editorials, He transgresses photography as an objective medium, distorting the body’s anatomy and breaking the mimesis of the image. In spite of the anatomical deformation, the body vulnerability, the instability of a sought beauty, and the deconstruction and construction of a new body, the resulting image appears as a perfect illusion simulacrum.

Efren Isaza, one of Colombia’s most influential fashion photographers, initially studied fashion design. He united his interest in fashion with one of his earliest passions: photography. Graceful female figures lounge in fashionable poses. Paper costumes that seem borrowed from Oskar Schlemmer’s triadic ballet make the ballerinas look like marionettes.
Their dislocation recalls the puppets Hans Bellmer featured in his surreal photographic experiments. Frida Kahlo’s face with her dark, furrowed eyebrows, peers at the viewer out of different scenes; her hair is knotted artfully on her head.

The allusions evoked in the imaginative creations of Colombian Fashion photographer Isaza are diverse: he cites and alienates an arsenal of styles before melding them into new compositions OF ONE OF A KIND LIMITED EDITION ARTWORK. It might be a certain scene, a poem, a petal of a flower, or the idea of a person that inspires a new work. His passion for breaking the boundaries of traditional fashion photography is palpable in each of Isaza’s unique works. He is less concerned with fashion than the image, the play of contrasts and the magic and the emotions sometimes saturnine, sometimes buoyant, sometimes surreal, and yet always beguiling that the image transports.